Issues : GE revisions

b. 448-449

composition: Op. 11, Concerto in E minor, Mvt III

No slur in FE (→GE1GE2)

Slur in EE & GE3

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The absence of the slur in the L.H. is one of a few defects of this type in FE; in this case, it probably stems from the gap caused by the change of clef. The slur was added in EE and GE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 454

composition: Op. 11, Concerto in E minor, Mvt III

No indication in FE (→EE)

Viol. in GE

[Tutti] suggested by the editors

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The addition introduced in GE must be arbitrary and, what is more, untrue, since this two-bar insert is performed by the entire orchestra and not only by strings. The reviser added a 'Viol.' indication, which was probably influenced by the situation in bar 443, in which he had already added such a 'Viol.' following its three-time appearance in bars 412, 421 and 429. In the main text, we suggest the indication 'Tutti,' compliant with the actual cast. 

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 456-458

composition: Op. 11, Concerto in E minor, Mvt III

No slurs in FE (→GE1GE2)

Slurs in EE & GE3

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The missing slurs must be an inaccuracy of notation. It is indicated by a slur in an identical figure in bars 458-459 and all subsequent slurs in similar situations. Slurs were added already in EE and GE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 458

composition: Op. 11, Concerto in E minor, Mvt III

No mark in FE (→EE,GE1GE2)

Accent in GE3

Same accent as our alternative suggestion

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Contrary to the previous two bars, the missing mark cannot be considered a patent oversight. In spite of a similar figure in the L.H. part, the bar performs a different function within the four-bar section (bars 456-459) than the remaining three – while the previous two bars are independent units with a clear climax in the middle of the bar, the third one is a part of a two-bar structure and it prepares its climax falling at the beginning of the fourth one. In turn, the accent in the fourth bar emphasises a new note, signalling the change of harmony and transition into the next phrase. Therefore, in the main text we leave the version without accent; we suggest adding it only in an alternative version. The accent was added also in GE3

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 460

composition: Op. 11, Concerto in E minor, Mvt III

Shorter slur in FE (→EE,GE1GE2)

Longer slur in GE3

category imprint: Differences between sources

issues: GE revisions