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Issues : Long accents
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b. 395
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composition: Op. 11, Concerto in E minor, Mvt III
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The meaning of the accent of FE (→EE) placed under a category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , GE revisions |
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b. 468-469
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we suggest adding long accents after analogous bars 460-461 and 456-457 and 464-465. Accents (short) were added already in EE as well as in GE3. category imprint: Editorial revisions issues: Long accents , EE revisions , GE revisions |
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b. 473
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the accent in this bar is clearly shorter than in adjacent bars (there is a similar situation in bar 477). However, taking into account the fact that the note provided with that accent is a delay in the form of an appoggiatura, we suggest a long accent in the main text, more frequent in this context. category imprint: Editorial revisions issues: Long accents |
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b. 475
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing accent does not have to be considered an oversight in this case – cf. the twin phrases of this three-part progression (bars 473 and 477). Therefore, in the main text we suggest a long accent in accordance with the interpretation adopted in the mentioned bars. An accent (short) was added in GE3. category imprint: Differences between sources; Editorial revisions issues: Long accents , GE revisions |
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b. 477
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composition: Op. 11, Concerto in E minor, Mvt III
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Just like in bar 473, we suggest a long accent in the main text, assuming an inaccurate reproduction of the Chopinesque mark in [A]. category imprint: Editorial revisions issues: Long accents |
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