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Pedalling

b. 316-319

composition: Op. 11, Concerto in E minor, Mvt III

No markings in FE (→GE,EE)

Pedalling suggested by the editors

..

In the main text, we add pedalling after two previous appearances of this sequence.

category imprint: Editorial revisions

b. 365

composition: Op. 11, Concerto in E minor, Mvt III

No marking in FE (→GE1GE2)

​​​​​​​in EE & GE3

[]​ suggested by the editors

..

The missing ​​​​​​​ mark must be considered an inaccuracy, hence, after EE and GE3, we add it in the main text.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , No pedal release mark

b. 368-369

composition: Op. 11, Concerto in E minor, Mvt III

Pedalling in FE (→EE,GE1GE2)

Pedalling in GE3

..

The difference in pedalling between these bars and analogous bars 360-361 suggests an inaccuracy of notation in one of those places. However, since both pedallings sound very good, it is difficult to decide which one should be inaccurate. Due to this reason, in the main text we strictly preserve the notation of the principal source (FE), leaving the differentiation or unification of pedalling of those bars to the discretion of the performer. In GE3, the notation of the discussed bars was changed to the one given by the sources in bar 361.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 369-371

composition: Op. 11, Concerto in E minor, Mvt III

No markings in FE (→GE1GE2)

​​​​​​​ in EE

  ​​​​ in GE3

[  ​​​​ ] suggested by the editors

..

An isolated  mark left at the beginning of bar 369 is almost certainly an oversight. Due to harmonic reasons, the pedal must be changed before bar 370, whereas performing any of the brilliant passages without pedal is inconceivable in this eventful fragment. Bar 360 opens a new page in FE, which favours such inaccuracies. Therefore, in the main text we add both a ​​​​​​​ mark at the end of bar 369 and a two-bar pedal in bars 370-371. The former was introduced already in EE, while GE3 introduced both.   

category imprint: Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark

b. 387

composition: Op. 11, Concerto in E minor, Mvt III

No markings in FE (→EE,GE1GE2)

    in GE3

[   ] suggested by the editors

..

In the main text, we suggest adding pedalling markings, since there is no doubt that this bar should be performed in the same manner as the previous one. The markings were added already in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions