Issues : GE revisions

b. 18

composition: Op. 11, Concerto in E minor, Mvt III

Slur from d2 in FE (→GE1GE2)

Slur from f​​​​​​​2 in EE

Slur from g​​​​​​​2 in GE3

..

The slur of FE (→GE1GE2) is most probably inaccurate – in all analogous places, the respective slur begins earlier, from the first or second semiquaver. In the main text, we adopt the former solution (introduced also in GE3) – see bar 30.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , GE revisions , EE inaccuracies

b. 23

composition: Op. 11, Concerto in E minor, Mvt III

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Due to the fact that the octave sign used to write the 1st half of the next bar was started too early, the last semiquaver in FE is an erroneous f​​​​​​​4. The mistake was corrected both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions

b. 23-24

composition: Op. 11, Concerto in E minor, Mvt III

Slur in bar 23 in FE (→EE,GE1GE2)

Slur to bar 24 in GE3

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In GE3, the slur was arbitrarily extended. There is a similar situation in bars 31-32.

category imprint: Differences between sources

issues: GE revisions

b. 30

composition: Op. 11, Concerto in E minor, Mvt III

Slur from f​​​​​​​2 in FE (→EE,GE1GE2)

Slur from g​​​​​​​2 in GE3

..

According to us, it is highly likely that the differences in the placement of the beginning of the slur in this and analogous bars (bar 18, 22, 26, 53, 93, 273 and 281) are of accidental nature and do not signalise differences in performance intended by the composer. Due to this reason, in the main text we unify those slurs, considering the marks in bar 22, 26 and 53 to be most credible. An identical change was introduced in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 32

composition: Op. 11, Concerto in E minor, Mvt III

Slur from a​​​​​​​3 in FE (→EE,GE1GE2)

Slur from g​​​​​​​3 in GE3

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The version of FE (→EE,GE1GE2) may be inaccurate – neither in analogous bar 24 nor in the two remaining places in which Chopin used rests in the main theme of this movement of the Concerto (bar 38 and 54) the rest is encompassed with a slur. Therefore, we may be dealing with a mistake or a remaining element of the original version – cf. the 1st movement of the Concertobar 197. Therefore, the shortened slur of GE3 may be considered a justified attempt to reproduce the notation of [A]

category imprint: Differences between sources

issues: GE revisions