Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Fingering
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Fingering

b. 363

composition: Op. 11, Concerto in E minor, Mvt III

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 364

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

No fingering in FE (→GE)

Fontana's fingering in EE

..

Single fingering digits in FED and EE complement the Chopinesque indications contained in FE (→GE,EE).

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED

b. 366

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

Fontana's fingering, indicated only next to the notes written on the bottom stave, defines a scheme for the entire passage. In FEH, the same fingering was marked also in the 2nd half of the bar.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 368

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

Like in analogous bar 360, the fingerings of EE and FEH are certainly compliant.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 370

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH