Fingering
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b. 352
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we suggest a fingering digit entered into FED in an identical situation in the next bar – cf. General Editorial Principles, p. 17. An authentic (printed) fingering of the R.H. is already given in that place. category imprint: Editorial revisions |
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b. 352-353
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering of FEH partially repeats and complements the printed Chopinesque indications, determining their most natural continuation. category imprint: Differences between sources |
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b. 353-354
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering of FEH complements the Chopinesque entry from FED; its authenticity seems to be highly likely. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 356
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composition: Op. 11, Concerto in E minor, Mvt III
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The first finger indicated by Fontana in EE only confirms the fingering scheme marked by Chopin in print. category imprint: Differences between sources issues: EE revisions |
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b. 358
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composition: Op. 11, Concerto in E minor, Mvt III
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The 1st finger on the 4th semiquaver is almost certainly a mistake of FE (→EE,GE1→GE2) – the digit was most probably supposed to concern the next note (d1). The mistake was corrected in FED and FEH; an appropriate change was introduced also in GE3. In the latter and in FEH, in the further part of the passage, a few digits were added, clarifying the fingering indicated by Chopin at the beginning of the bar. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , GE revisions , Annotations in FEH |
