Issues : GE revisions
b. 141-142
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato marks for three bass notes must be considered an inaccuracy (of the engraver or of Chopin). In the main text, we add wedges – see the note on bars 137-140. Omission of the mark in bar 142 in GE3 is most probably related to the mistake of GE1 (→GE2) in bar 138. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 141
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing wedge in this place certainly does not indicate a performance change with respect to analogous bar 137; therefore, in the main text we include the wedge added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 142
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composition: Op. 11, Concerto in E minor, Mvt III
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Accents are present in 11 similar figures of this and previous, analogous phrases, so that the missing mark in the indicated place must be considered an inaccuracy. In the main text, we add a long accent in accordance with the accents used in FE. The short accent added in GE3 and EE3 corresponds to the accents adopted in those editions. category imprint: Differences between sources; Editorial revisions issues: Long accents , EE revisions , GE revisions |
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b. 146-147
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing marks are a patent inaccuracy, hence in the main text we suggest adding them after the two previous bars. The marks were added already in EE (in EE1 only in bar 147) and GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
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b. 146-147
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add cautionary naturals before e2 in bar 146 and a1 in bar 147. They were added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |