mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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Fingering

b. 269-270

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

Both fingerings appearing in the sources are compliant in terms of the 5-4-5 succession of fingers at the top of the passage, typical of Chopin. In the descending part of the passage, FEH gives a crossing-over of the 5th finger, which also belongs to the range of Chopinesque fingering options  – cf. the Impromptu in A​​​​​​​ Major, Op. 29, bar 81.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 272-278

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering, adjusted to the accompaniment's scheme enabling strict legato, was entered in FEH in bar 272 and recalled in bar 278.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 292

composition: Op. 11, Concerto in E minor, Mvt III

No teaching fingering

Fingering written into FEH
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 294

composition: Op. 11, Concerto in E minor, Mvt III

No teaching fingering

Fingering written into FEH
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 295

composition: Op. 11, Concerto in E minor, Mvt III

No teaching fingering

Fingering written into FEH
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH