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Source:
p. 7, b. 92-103
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The traces of corrections visible in FE prove that Chopin devoted a great deal of attention to the slurring, e.g. he moved the beginning of the slur in bar 95 a quaver earlier, he combined the slurs at the transition between bars 95-96, while in bar 98 he combined two half-bar slurs in one.
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category imprint: Source & stylistic information
issues: Authentic corrections of FE
notation: Slurs
Missing markers on sources:
FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a