mUltimate Chopin

Op. 11, Concerto in E minor, Mvt II

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 63-77
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
Main text
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 63

m.g. written into FEH

No indication in FE (→GE,EE)

In FE, there are no rests in the original notation of this bar, as a result of which it is not entirely clear which hand is supposed to perform the orchestral part on the 2nd and 3rd beats of the bar. Therefore, in the main text we suggest the indication assigning these crotchets to the left hand, which may have come from Chopin.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FEH

notation: Fingering

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a
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