Page: 
Source: 
p. 7, b. 105-114
p. 1
p. 2, b. 1-34
p. 3, b. 35-52
p. 4, b. 53-73
p. 5, b. 74-92
p. 6, b. 93-104
p. 7, b. 105-114
p. 8, b. 115-126
FE1 - First French edition
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Differences
No differences
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 105-107

Fingering written into FES

Fingering based on FES

Fingering written into FEH

No fingering in FE (→GE)

Fingering in EE

The fingering of FES, given in the main text in bars 105 and 107, with slide of the 1st finger, willingly used by Chopin, was written by him in pencil and repeated ("enhanced") by Miss Stirling in ink. In this light, the differing fingering of FEH seems to be much less typical of Chopin. In EE, Fontana offers two fingering variants, the first of which overlaps with the Chopinesque fingering (FES).

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category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Differences in fingering, Annotations in FES, Annotations in FEH

notation: Fingering

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a