Page: 
Source: 
p. 8, b. 104-113
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 113

f2 in FE (→GE,EE)

e2 in FES

The change of f2 to e2, written in FES, restoring the regular structure of figurations, may be considered an alternative variant suggestion in relation to the printed version, which could be supported by the lack of a corresponding correction in the remaining pupils' copies. According to us, it is, however, more likely that the change is of a definitive nature or that it is simply a correction of a mistake – the piano performs a figurative background for the theme; in this final section, heading for the coda, this background is based on gently waving passages of a rather schematic structure. 

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category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Errors in FE, Annotations in FES

notation: Pitch

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a