Page: 
Source: 
p. 7, b. 92-103
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
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FE - French edition
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FED - First French edition
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FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
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EE1 - First English edition
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EE3 - Revised impression of EE2
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  b. 101

No sign in FE (→EE,GE1GE2)

 in GE3

[] suggested by the editors

Like in analogous bars 50-52, the pedal release moment from bar 99 we suggest (compliant with the indication introduced in GE3) allows for maintaining the dying sound of the broadly broken G major chord until the end of the phrase. In this case, one can also, according to us, imagine an even longer pedal hold, e.g. to the end of the 3rd beat of bar 101 or even to the end of bar 103. 

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions, No pedal release mark

notation: Pedalling

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a