Page: 
Source: 
p. 6, b. 78-91
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
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EE1 - First English edition
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EE3 - Revised impression of EE2
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  b. 91

In FE (→EE), the duration of the 3rd semiquaver on the last beat of the bar is increased to a crotchet. Going beyond the beat of the bar, which makes no music sense, must be a mistake – cf. analogous bar 52 where the corresponding note is a quaver. In GE, the prolongation of this note was omitted, probably in order to avoid a troublesome, incomprehensible element of notation. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, GE revisions, Rhythmic errors, Errors repeated in EE

notation: Rhythm

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a