Page: 
Source: 
p. 4, b. 51-62
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
GE - German edition
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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copy link PDF GE - German edition


  b. 53

 in FE

 in GE

in EE

The differences in the notation of the fcrotchet at the beginning of the 2nd half of the bar is probably a result of a mistake of the engraver of FE and revisions of the remaining editors. The dotted crotchet in the versions of FE and GE – regardless of the notation manner – implies a momentaneous split of the most bottom of the three upper voices, which, until that moment, was consistently led from the beginning of that phrase in bar 52. Due to this reason, we consider the crotchet in EE to be the most probably correct, where the natural sequence of the three upper voices, corresponding to Violin I, Violin II and Viola, is maintained.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Errors in FE, GE revisions

notation: Rhythm

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a