Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 19-20

No slurs in FE (→GE1GE2)

Slur in EE & GE3

Slurs suggested by the editors

As has already been indicated in bar 17, we consider the missing slurs to be Chopin's oversight. The need for and the range of the slur in the 2nd half of bar 19 seem to be obvious (cf. identical figures in bar 16 and 21); they were added already in EE and GE3. In turn, one could imagine the first two quavers in bar 20 being performed with another articulation – see e.g. similar bar 61; however, the slur encompassing the last 6 quavers in bar 20 rather excludes such a varied articulation. The missing pedal mark on the 1st beat in bar 20 may also be considered an argument for performing the bass note legato.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions

notation: Slurs

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a