Issues : Wedges
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b. 34
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composition: Op. 11, Concerto in E minor, Mvt II
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The staccato dot present in GE is most probably an inaccuracy of the engraver of that edition. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 94
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composition: Op. 11, Concerto in E minor, Mvt II
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Like in the case of the slur, the missing wedges over the 1st quaver in the bar (in both hands) in GE prove that Chopin most probably added them in the last phase of proofreading of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE , Wedges |
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b. 111
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composition: Op. 11, Concerto in E minor, Mvt II
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Differentiation between the staccato marks in FE (→EE) – a wedge in bar 111 and a dot in bar 113 – could have been intended by Chopin, although being deprived of access to [A], one cannot exclude a mistake in the manuscript's reproduction. Unification of the markings in GE is almost certainly an arbitrary revision; according to us, a possible use of wedges in both bars is much more likely, since young Chopin considered them the basic marking of staccato. category imprint: Differences between sources issues: GE revisions , Wedges |
