Issues : No pedal release mark
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b. 76-77
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composition: Op. 11, Concerto in E minor, Mvt II
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The pedalling of FE seems to be incomplete – there is no musical justification for omitting the category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE , No pedal release mark |
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b. 101
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composition: Op. 11, Concerto in E minor, Mvt II
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Like in analogous bars 50-52, the pedal release moment from bar 99 we suggest (compliant with the indication introduced in GE3) allows for maintaining the dying sound of the broadly broken G category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark |
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b. 114-115
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composition: Op. 11, Concerto in E minor, Mvt II
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The missing category imprint: Editorial revisions issues: Inaccuracies in FE , No pedal release mark |
sign in 
marking in bar 77 that was written or left by mistake. Uncertain as to what Chopin's intention was, in the main text we leave the consideration of a pedal change in this place to the discretion of the performer.
major chord until the end of the phrase. In this case, one can also, according to us, imagine an even longer pedal hold, e.g. to the end of the 3rd beat of bar 101 or even to the end of bar 103. 
