Articulation, Accents, Hairpins
b. 47
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composition: Op. 11, Concerto in E minor, Mvt II
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The tenuto dashes added in FED emphasise the split of the melody into 2 voices – cf. the notation of analogous bar 96. Chopin would use this mark only occasionally, e.g. in the Concerto in F minor, op. 21, the 2nd mov., bar 18. category imprint: Differences between sources |
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b. 48
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composition: Op. 11, Concerto in E minor, Mvt II
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The lack of accent in GE3 is undoubtedly a mistake. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE |
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b. 52
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composition: Op. 11, Concerto in E minor, Mvt II
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The missing wedge in EE and GE must result from an unfortunate placement of the mark in FE between the dots indicating the range of the octave sign. category imprint: Differences between sources issues: Errors in EE , Errors in GE |
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b. 55
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composition: Op. 11, Concerto in E minor, Mvt II
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The missing in GE may be explained by an oversight of the engraver of GE or, alternatively, by the fact of adding the mark in the last phase of proofreading of FE. category imprint: Differences between sources issues: Errors in GE |
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b. 65-67
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composition: Op. 11, Concerto in E minor, Mvt II
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The long accents at the beginning of bar 65 and 67, legible both in FE and GE, were reduced in EE to common, short accent. category imprint: Differences between sources issues: Long accents , EE inaccuracies |