Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt II
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No pedal change in sources |
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Pedalling suggested by the editors |
In the main text, we suggest changing pedal on the 4th beat of the bar due to the change of the bass note in the orchestral part (cellos and double-basses) from B to B
. A minor harmonic blending did not have to be conspicuous on the pianos from Chopin's times. It also cannot be excluded that, while adding the pedalling, the composer did not coordinate the piano part with the orchestral part, particularly since this chromatic sequence in the bass does not appear on the first two occurrences of the theme (bars 19 and 60).
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Pedalling
