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Source: 
p. 13, b. 311-325
p. 1, b. 1-44
p. 2, b. 45-92
p. 3, b. 93-136
p. 4, b. 137-159
p. 5, b. 160-178
p. 6, b. 179-194
p. 7, b. 195-210
p. 8, b. 211-231
p. 9, b. 232-256
p. 10, b. 257-280
p. 11, b. 281-295
p. 12, b. 296-310
p. 13, b. 311-325
p. 14, b. 326-355
p. 15, b. 356-393
p. 16, b. 394-410
p. 17, b. 411-425
p. 18, b. 426-440
p. 19, b. 441-455
p. 20, b. 456-470
p. 21, b. 471-486
p. 22, b. 487-521
p. 23, b. 522-539
p. 24, b. 540-555
p. 25, b. 556-572
p. 26, b. 573-599
p. 27, b. 600-620
p. 28, b. 621-640
p. 29, b. 641-660
p. 30, b. 661-689
Main text
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Differences between sources
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Articulation, Accents, Hairpins
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Differences
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Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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  b. 323

b & b in FE (→GE1GE2), contextual interpretation, & GE3

b & b in EE

In FE (→GE1GE2), the  raising the 2nd semiquaver to b is not cancelled, hence the 7th semiquaver should also be interpreted as b. It must be a mistake, corrected in EE and GE3. Although the reviser of GE3 corrected only the erroneously written note, adding a  before it, in EE, the  before the 2nd note was removed, which changed its pitch to b. This version, although possible both from the musical and pianistic point of view, is, however, certainly arbitrary – the traces visible in FE prove that the  was added only at the stage of proofreading, almost certainly at Chopin's request, who, in turn, did not participate in the proofreading process of EE. In the main text, we give the version of FE, corrected by Chopin, written correctly in GE3.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Errors in FE, Omissions to cancel alteration, GE revisions, Authentic corrections of FE

notation: Pitch

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo