Page: 
Source: 
p. 4, b. 137-159
p. 1, b. 1-44
p. 2, b. 45-92
p. 3, b. 93-136
p. 4, b. 137-159
p. 5, b. 160-178
p. 6, b. 179-194
p. 7, b. 195-210
p. 8, b. 211-231
p. 9, b. 232-256
p. 10, b. 257-280
p. 11, b. 281-295
p. 12, b. 296-310
p. 13, b. 311-325
p. 14, b. 326-355
p. 15, b. 356-393
p. 16, b. 394-410
p. 17, b. 411-425
p. 18, b. 426-440
p. 19, b. 441-455
p. 20, b. 456-470
p. 21, b. 471-486
p. 22, b. 487-521
p. 23, b. 522-539
p. 24, b. 540-555
p. 25, b. 556-572
p. 26, b. 573-599
p. 27, b. 600-620
p. 28, b. 621-640
p. 29, b. 641-660
p. 30, b. 661-689
Main text
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 142-144

No fingering in FE (→GE)

Fingering in EE

Fingering written into FEH

Fontana's fingering given in EE almost certainly does not come from Chopin, since it is difficult to assume that Fontana could have had such precise, variant indications of the composer at his disposal. The authenticity of the fingering written by a foreign hand in FEH is also questionable. The basic scheme of both fingerings, considering the first variant of the fingering of EE, are in common with each other; the difference applies only to the beginning, which deviates from the scheme in Fontana's version.  

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Differences in fingering, Annotations in FEH

notation: Fingering

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo