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p. 2, b. 45-92
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The accompaniment in this bar evolved in Atut, which is proved by the previous versions, which were crossed out but are still legible. According to us, one can distinguish three stages in total, the last of which was accepted as the final version. The reconstructions of the previous versions presented below are hypothetical to a certain extent – changes of the figurations' shape are unquestionable, but it remains uncertain how certain notes (harmonic legato) were assigned to the particular versions:
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category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A
notation: Pitch
Missing markers on sources:
GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo