Page:
Source:
p. 1, b. 1-44
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The manner the 
mark is written in Atut makes it unclear whether the mark concerns the beginning of the piece or the beginning of bar 1, like it was interpreted in FE (→GE,EE). In the main text we adopt the second interpretation, since according to the most frequently applied rule, the marks are written in the place from which they are valid or slightly earlier. A dynamic mark after the bar line separating the upbeat can be found in Chopinesque autographs – cf. e.g. the Etude in A minor, op. 25, no. 4.
category imprint: Graphic ambiguousness; Differences between sources
issues: Centrally placed marks
notation: Verbal indications
Missing markers on sources:
GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, GE2a, FEFo