Page: 
Source: 
p. 18, b. 573-616
p. 1
p. 2, b. 1-50
p. 3, b. 51-103
p. 4, b. 104-160
p. 5, b. 161-194
p. 6, b. 195-225
p. 7, b. 226-277
p. 8, b. 278-305
p. 9, b. 306-333
p. 10, b. 334-372
p. 11, b. 373-407
p. 12, b. 408-431
p. 13, b. 432-453
p. 14, b. 454-475
p. 15, b. 476-508
p. 16, b. 509-544
p. 17, b. 545-572
p. 18, b. 573-616
p. 19, b. 617-645
p. 20, b. 646-660
p. 21, b. 661-689
GE1 - First German edition
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF GE1 - First German edition

Original in: Ewa & Jeremiusz Glensk Collection, Poznań


  b. 577

g in FE (→GE,EE)

f, our alternative suggestion

Different sound of the 4th quaver than in all analogous bars (bar 226, 234, 250 and 585; cf. also bar 65, 73 and 89) could have been intended by Chopin, e.g. with regard to a slightly different shape of the accompaniment line in the next bar. However, since a mistake of the engraver cannot be excluded, we alternatively suggest a version that is analogous to the remaining bars. Mistakes consisting in adjusting figurations to a regular scheme, particularly when it appeared in similar figures (identical even quavers are present in bars 573-575), are psychologically justified and can be encountered in Chopin's pieces on a number of occasions – cf. e.g. bar 594 or 542-543.  

Compare the passage in the sources »

category imprint: Editorial revisions

issues: Errors in FE

notation: Pitch

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo