Page: 
Source: 
p. 17, b. 545-572
p. 1
p. 2, b. 1-50
p. 3, b. 51-103
p. 4, b. 104-160
p. 5, b. 161-194
p. 6, b. 195-225
p. 7, b. 226-277
p. 8, b. 278-305
p. 9, b. 306-333
p. 10, b. 334-372
p. 11, b. 373-407
p. 12, b. 408-431
p. 13, b. 432-453
p. 14, b. 454-475
p. 15, b. 476-508
p. 16, b. 509-544
p. 17, b. 545-572
p. 18, b. 573-616
p. 19, b. 617-645
p. 20, b. 646-660
p. 21, b. 661-689
GE1 - First German edition
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF GE1 - First German edition

Original in: Ewa & Jeremiusz Glensk Collection, Poznań


  b. 572

No  ​​​​​​​in FE

​​​​​​​ in GE

​​​​​​​ in EE

[​​​​​​​] suggested by the editors

The  mark, overlooked in FE, was added in the remaining editions, although its absence does not have to be considered a mistake – cf. e.g. the Waltz in C​​​​​​​ Minor, Op. 64 No. 2, bar 15. In the main text, we suggest adding the mark in accordance with the possible phrasing, hence before the last quaver, which already begins the next musical thought.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, No pedal release mark

notation: Pedalling

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo