Page: 
Source: 
p. 7, b. 112-138
p. 1
p. 2
p. 3, b. 1-28
p. 4, b. 29-54
p. 5, b. 55-85
p. 6, b. 86-111
p. 7, b. 112-138
p. 8
Atut - Autograph of first Tutti
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Atut - Autograph of first Tutti


  b. 450-452

Incomplete slurs in FE (→EE,GE1GE2)

Slur in bar 452 in GE3

Slurs suggested by the editors

Both the ending of the slur in bar 450 and the beginning of a new one in bar 452 fall on musically unjustified places. That gives rise to the suspicion that the notation could be inaccurate or even erroneous. A possible cause of that inaccuracy is indicated by the correlation between the slurs and the octave sign – the first slur ends where the octave sign begins in the sources, while the second slur begins just when the octave sign ends. A similar situation occurs in the autograph of the Etude in E​​​​​​​ major, op. 10 no. 11, bars 40-42; therefore, it may be the composer himself that is responsible for the inaccurate slurs. In the main text, we extend the slurs so that they encompass all semiquavers; moreover, in bar 452, we suggest beginning a new slur due to the beginning of a four-bar section. 

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE, Inaccurate slurs in A, Errors in GE

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo