Page: 
Source: 
p. 7, b. 195-210
p. 1, b. 1-44
p. 2, b. 45-92
p. 3, b. 93-136
p. 4, b. 137-159
p. 5, b. 160-178
p. 6, b. 179-194
p. 7, b. 195-210
p. 8, b. 211-231
p. 9, b. 232-256
p. 10, b. 257-280
p. 11, b. 281-295
p. 12, b. 296-310
p. 13, b. 311-325
p. 14, b. 326-355
p. 15, b. 356-393
p. 16, b. 394-410
p. 17, b. 411-425
p. 18, b. 426-440
p. 19, b. 441-455
p. 20, b. 456-470
p. 21, b. 471-486
p. 22, b. 487-521
p. 23, b. 522-539
p. 24, b. 540-555
p. 25, b. 556-572
p. 26, b. 573-599
p. 27, b. 600-620
p. 28, b. 621-640
p. 29, b. 641-660
p. 30, b. 661-689
GE2 - Corrected impression of GE1
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF GE2 - Corrected impression of GE1


  b. 197

Continuous slur in FE (→EE,GE1GE2)

Separate slurs in FED & GE3

The unbroken – in spite of the rest – slur of FE (→EE,GE1GE2) must be a remaining part of the original version of the rhythm (with semiquavers without rest). The need to separate the first two notes from the following semiquavers was confirmed by Chopin with additional marks written in pencil in FED – a slashed line, underlining the significance of the rest (also in bar 201), as well as a slur over the first two semiquavers. Taking that into account, in the main text, we divide the slur, adjusting the phrasing to the rhythmic notation.

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category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Annotations in FED, GE revisions, Authentic post-publication changes and variants, Inserted rest

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo