Page: 
Source: 
p. 7, b. 112-138
p. 1
p. 2
p. 3, b. 1-28
p. 4, b. 29-54
p. 5, b. 55-85
p. 6, b. 86-111
p. 7, b. 112-138
p. 8
Atut - Autograph of first Tutti
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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  b. 181

The fact that is to be held is marked in FE (→GE) through an additional stem and extending dot for the 4th semiquaver. In further bars, Chopin already applies the notation with tie; therefore, in the main text, we adopt this more exact notation also in this case (similarily in bar 537). In EE1 (→EE2), the note was not held, which was corrected in EE3, most probably on the basis of comparison with the respective bar of the recapitulation.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Errors in EE

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo