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p. 4, b. 104-160
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p. 2, b. 1-50
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p. 4, b. 104-160
p. 5, b. 161-194
p. 6, b. 195-225
p. 7, b. 226-277
p. 8, b. 278-305
p. 9, b. 306-333
p. 10, b. 334-372
p. 11, b. 373-407
p. 12, b. 408-431
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p. 15, b. 476-508
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p. 17, b. 545-572
p. 18, b. 573-616
p. 19, b. 617-645
p. 20, b. 646-660
p. 21, b. 661-689
GE1 - First German edition
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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copy link PDF GE1 - First German edition


  b. 110

Minim d1 in Atut (literal reading→FEGE,EE)

Dotted minim d​1 in Atut, contextual interpretation

In Atut, the rhythmic value of the d1 minim is unclear – there is no stem next to it, hence it seems to be a semibreve. It can be a mere deficiency, frequent in Chopin's autographs; however, it cannot be excluded that Chopin planned here a dotted minim, like it is in the orchestra (bassoon I) and in similar bars 122 and 682.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Rhythmic errors, FE revisions, Inaccuracies in A

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo