Page: 
Source: 
p. 4, b. 29-54
p. 1
p. 2
p. 3, b. 1-28
p. 4, b. 29-54
p. 5, b. 55-85
p. 6, b. 86-111
p. 7, b. 112-138
p. 8
Atut - Autograph of first Tutti
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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  b. 50-51

3-note slur in Atut (→FEGE1GE2)

4-note slur in EE & GE3

The shorter slur in Atut (→FEGE1GE2) is the original marking. Initially, both slurs in the previous figure also encompassed the groups of three quavers only; however, they were then prolonged by Chopin. The slur in the L.H. in the discussed bars, written last, already encompasses the entire four-note motif. The fact of leaving the slur in the R.H. without extension must be the composer's inadvertence.  

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Corrections in A, GE revisions, Omitted correction of an analogous place

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo