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Fingering

b. 463

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 463

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

..

The fingering of FEH, written most probably by the pupil, may be surprising, especially since in a similar figure two bars later, a different, more natural fingering was indicated.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 464

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH

..

Both sources give different digits, yet the same fingering, compliant with the one Chopin gave in an analogous passage 2 bars later. A similar compliance between EE and FEH is present in the two remaining places in bars 464-465 provided with fingering. 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 464-465

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 465

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH

..

As in many other situations, the compliance between the fingering of EE and FEH does not add to the small likelihood of the indications being authentic.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH