Fingering
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b. 457
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 457-458
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana completed the Chopinesque fingering so that one does not need to guess anything at all. category imprint: Differences between sources issues: EE revisions |
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b. 458-460
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering and entries in FEH in bars 458 and 460 are astonishingly similar – the only difference is that one digit written in FEH is missing in EE. However, it does not increase the likelihood of a Chopinesque origin of those indications, since in both bars the fingering naturally stems from the passage structure and hand position determined by the previous figure. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 459-461
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composition: Op. 11, Concerto in E minor, Mvt I
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In subsequent passages, Fontana's fingering resembles the scheme indicated by Chopin in bar 457. The indications written in FEH are of the same nature. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 461-462
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
