Fingering
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b. 447
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composition: Op. 11, Concerto in E minor, Mvt I
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The last reminder of the characteristic, strictly schematic fingering, written in FEH on a number of occasions in the previous similar figures. category imprint: Differences between sources |
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b. 448
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composition: Op. 11, Concerto in E minor, Mvt I
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The only digit written in FEH must determine the same fingering that Fontana indicated in EE in a slightly more detailed way. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 448
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composition: Op. 11, Concerto in E minor, Mvt I
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The digits added by Fontana specify hand position changes resulting from the fingering indicated in print by Chopin. category imprint: Differences between sources issues: EE revisions |
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b. 450
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composition: Op. 11, Concerto in E minor, Mvt I
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The digit four over the 4th semiquaver in the bar, written in FEH (most probably by the pupil), is only a reminder of the Chopinesque fingering from the previous bar. category imprint: Differences between sources |
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b. 451
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering, perhaps written during a lesson with Chopin, enables to hold the D category imprint: Differences between sources |
crotchet in a convenient and firm manner. A similar situation occurs in bar 455.