Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
In an identical figuration four bars later, Fontana indicated only the fingering of the quavers in the bottom voice. However, he most probably meant the same fingering in both places. Its authenticity remains unconfirmed, like the majority of Fontana's indications.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Fingering
