Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
On the 2nd and 3rd beats of the bar, there are no accidentals in the R.H. in FE; the 
raising G to G
in the L.H. is also missing. In GE1 (→GE2) and EE, a mark was added in the L.H., whereas in the R.H. sharps were added only in the 2nd group of semiquavers, which was most probably considered sufficient due to the notation of that group with the use of an octave sign, hence at the same pitch as the 3rd group.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Errors in FE, Accidentals in different octaves, GE revisions
notation: Pitch
