Main text
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 351

 in FE (→GE) & EE3

No sign in EE1 (→EE2)

Interpretation of  suggested by the editors

Long accent, our alternative suggestion

When interpreted literally, the  in FE (→GE) is puzzling, since  denotes a local dynamic climax, after which one should rather expect a diminuendo, not to mention a crescendo on one note, problematic to perform on the piano. Therefore, we are probably dealing with an inaccuracy or even a mistake. One can imagine two possibilities – the mark was misplaced (e.g. moved to the right with respect to the notation of [A]) or reversed. In the main text, we are inclined to agree with the first possibility due to a similarly distorted  hairpin in the Concerto in F minor, op. 21, the 2nd mov., bar 84. The absence of the mark in EE1 (→EE2) seems to be an oversight, corrected in EE3

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Long accents, EE revisions, Errors in EE, Sign reversal

notation: Articulation, Accents, Hairpins

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