Atut
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 221-222

In GE, the bars are separated with a double bar line, which was a routine procedure while changing the key signature. In the main text, we preserve the undoubtedly authentic notation of FE (→EE) with a single bar line – Chopin's autographs prove that the composer generally did not use double bar lines at the time of changing the key (cf. e.g. the Mazurka in C major, op. 24, no. 2, bar 56). 

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Shorthand & other

Go to the music

.