Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
In GE, the bars are separated with a double bar line, which was a routine procedure while changing the key signature. In the main text, we preserve the undoubtedly authentic notation of FE (→EE) with a single bar line – Chopin's autographs prove that the composer generally did not use double bar lines at the time of changing the key (cf. e.g. the Mazurka in C major, op. 24, no. 2, bar 56).
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category imprint: Differences between sources
issues: GE revisions
notation: Shorthand & other