Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
In FE (→GE1), the last 8 notes are written as 2 groups of semiquavers. The division into groups suggests that Chopin meant a strict and regular division, so the notes should be demisemiquavers. A respective change was introduced in EE and GE2 (→GE3). Additional beams were added also in FEJ, although it is impossible to confirm the authenticity of such a non-characteristic entry.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Annotations in teaching copies, EE revisions, Errors in FE, GE revisions, Rhythmic errors, Annotations in FEJ, Errors repeated in GE
notation: Rhythm