Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
Atut ends in bar 138 with a mark indicating the place where it is incorporated into the main base text of FE (lost), which was most probably an autograph of the entire Concerto in the version for solo piano ([A]), independent or written into a hand-written score. From bar 139 on, there are no manuscripts among the sources of this movement of the Concerto.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: Incomplete sources
notation: Shorthand & other