Page: 
Source: 
p. 5, b. 49-61
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 49-50

Dynamic markings in A (→GEFEEE)

 added in FED, FEJ, FES

 and  in FEFr

The editors' proposal

We perceive the indication  in bar 50, added by Chopin in the three teaching copies and written into FEFr, to be part of a definitive change of the dynamic concept in several fragments of the Nocturne (cf. bars 25-26, 45-46, 52). The   noted by Franchomme in FEFr naturally supplements that change.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Annotations in FED, Annotations in FES, Annotations in FEFr, Authentic post-publication changes and variants, Annotations in FEJ

notation: Verbal indications