Issues : Accompaniment changes
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b. 5
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources; Corrections & alterations issues: Errors of A , Accompaniment changes , Authentic corrections of GE |
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b. 8
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composition: Op. 27 No 2, Nocturne in D♭ major
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A bears the traces of correcting the fifth and the sixth semiquaver of the left hand from e flat1-g flat to d flat1-e flat. category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |
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b. 9
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composition: Op. 27 No 2, Nocturne in D♭ major
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Traces of erasing visible in A allow us to decipher the probable initial version of the accompaniment in that bar as: category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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The deletions visible in A point to Chopin's corrections in the 2nd part of the bar. Most probably the composer altered the graphic layout of the semiquaver beam and changed the last note from f to a. category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |
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b. 17
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composition: Op. 27 No 2, Nocturne in D♭ major
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The first one of several corrections made by Chopin in the accompaniment in that movement of the Nocturne, introduced to FE. Cf. bars 19 and 25, as well as changes and additions in bars 18-22. category imprint: Differences between sources; Corrections & alterations |
in 
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