Issues : EE inaccuracies
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b. 16
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composition: Op. 27 No 2, Nocturne in D♭ major
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The tight spacing in GE seems to be the reason for increasing inaccuracies in the extent of the hairpins category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 39
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composition: Op. 27 No 2, Nocturne in D♭ major
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The sources differ in the placement of the indication cresc.; in subsequent editions that indication moves farther and farther apart from the place where it was originally written by Chopin. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 69
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the second part of the bar, EE has wedges instead of dots appearing under the slur in A (→GE→FE). This is probably an arbitrary change. category imprint: Differences between sources issues: EE inaccuracies |
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b. 71
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composition: Op. 27 No 2, Nocturne in D♭ major
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When read literally, the lower voice slur in A embraces just five semiquavers, up to g flat2, which is probably one of quite many inaccuracies to be found in that part of the manuscript. In GE (and EE) the slur embraces six semiquavers, and in FE it reaches up to the crotchet e flat2, which seems most natural in the light of slurring of analogous motifs of the upper voice. The mark added in FEJ may, but does not necessarily have to, be a slur. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , EE inaccuracies , Authentic corrections of FE , Annotations in FEJ |
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