mUltimate Chopin

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Source:

p. 8, b. 111-125

p. 1, b. 1-27

p. 2, b. 28-40

p. 3, b. 41-54

p. 4, b. 55-69

p. 5, b. 70-84

p. 6, b. 85-97

p. 7, b. 98-110

p. 8, b. 111-125

p. 9, b. 126-138

p. 10, b. 139-148

p. 11, b. 149-159

p. 12, b. 160-173

p. 13, b. 174-187

p. 14, b. 188-201

p. 15, b. 202-213

p. 16, b. 214-226

p. 17, b. 227-238

p. 18, b. 239-252

p. 19, b. 253-264

p. 20, b. 265-279

Main text

FE - French edition

FE1 - First French edition

FED - Dubois copy

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Changed impression of EE1

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Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FED - Dubois copy

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Changed impression of EE1

Importance

Undo Clear

transcript

Prezentacja

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b. 111-112

Short accents in FE (→GE,EE)

Long accents suggested by the editors

We reproduce the four accents over the L.H. chords as long accents. According to us, they emphasise characteristic two-note motifs, used by Chopin on a number of occasions in other pieces. In the Etude in G Major, Op. 10 No. 5, b. 17-21, in the proofread version of the French edition, the motifs were provided with marks that were almost certainly long accents according to the composer's intention.
The same in b. 119.

Compare the passage in the sources »

category imprint: Editorial revisions

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3

Complete ➔

Op. 22, Polonaise