mUltimate Chopin

Op. 22, Polonaise

Text Compare Notes Sources Description
Page: 
Source: 
p. 12, b. 160-173
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 161

4 grace notes in FE (→GE)

3 grace notes in EE

The version of EE is the initial variant of this place, corrected by Chopin in the penultimate stage of proofreading of FE (→GE). The layout of the first three small semiquavers reveals that in FE the second one was inserted in print between the first g1 and e2.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Pitch

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3
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