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Source: 
p. 9, b. 126-138
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 128

In the previous bar Chopin extended the bass d note with an additional crotchet stem. This suggests that the absence of such an extension in the discussed bar may be an oversight. Therefore, we suggest an appropriately completed version as an alternative solution. In the main text, however, we preserve the d note as a quaver, since the same difference in duration – crotchet in b. 127 and quaver in b. 128 – is present in the cellos part, which shows that the rhythmic value and function in the phrase of each of these notes were different in Chopin's mind.

See the note below.

Compare the passage in the sources»

category imprint: Editorial revisions

issues:

notation: Rhythm

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3