Page: 
Source: 
p. 17, b. 227-238
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
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Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 232

The flat restoring b2 at the beginning of the last triplet does not appear in any of the sources. It seems that it was believed that the  before b3 four semiquavers earlier was not a cautionary accidental only and that it was also valid in the case of the discussed note. The same in b. 252.

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues: Inaccuracies in FE, Omissions to cancel alteration, Errors repeated in GE, Errors repeated in EE

notation: Pitch

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3