Page: 
Source: 
p. 3, b. 41-54
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 41

Wedge in FE (→EE)

No mark in GE

Wedge & accent suggested by the editors

In FE (→EE) the e2-d3 seventh is provided here with a wedge; however, in the respective bar of the reprise (b. 185), which was probably marked in [A] in an abridged manner as repetition of the discussed one, it is provided with an accent. Therefore, it is highly likely that the text was not reproduced here accurately, i.e. one of the marks could have been overlooked, whereas Chopin could have added the other while proofreading. Taking into account the above, in the main text we suggest (in both places) optionally adding the mark present in the analogous place.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Errors in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3