Page: 
Source: 
p. 3, b. 41-54
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 52-53

No marks in FE (→GE)

Staccato dots in EE

In the main text we add staccato dots under the B1 bass notes in these bars. There is no doubt that they should be performed with the same articulation as b. 51, hence Chopin could have considered the dot put the first time to be enough. It cannot be ruled out that the engraver of FE forgot to add a dot in a new line. Dots were added in EE. A similar situation can be found in b. 196-197.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3