mUltimate Chopin

Page:

Source:

p. 14, b. 188-201

p. 1, b. 1-27

p. 2, b. 28-40

p. 3, b. 41-54

p. 4, b. 55-69

p. 5, b. 70-84

p. 6, b. 85-97

p. 7, b. 98-110

p. 8, b. 111-125

p. 9, b. 126-138

p. 10, b. 139-148

p. 11, b. 149-159

p. 12, b. 160-173

p. 13, b. 174-187

p. 14, b. 188-201

p. 15, b. 202-213

p. 16, b. 214-226

p. 17, b. 227-238

p. 18, b. 239-252

p. 19, b. 253-264

p. 20, b. 265-279

Main text

FE - French edition

FE1 - First French edition

FED - Dubois copy

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Changed impression of EE1

Select notes:

mark annotations

Category

Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FED - Dubois copy

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Changed impression of EE1

Importance

Undo Clear

transcript

Prezentacja

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b. 198

No sign in FE (→EE)

Arpeggio sign in GE

Just like in b. 54, of which the discussed bar is a literal repetition, in the main text we add an arpeggio mark before the L.H. chord. The mark was also added in GE.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Ornaments

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3

Complete ➔

Op. 22, Polonaise